detailed view of ‘dat rosa miel apibus’ by Anselm Kiefer
‘dat rosa miel apibus’, 2010-2011
oil, acrylic, terracotta, salt, lead and resin on canvas
129 15/16 x 673 1/4 inches
oil on canvas, 49 x 5”
Adolph Gottlieb, Blues, 1962
In the late 1950s, Adolph Gottlieb started his “burst” paintings, a series of works that showed smooth, round areas of color above vigorous brushstrokes and splatters. This method brought together the two main currents of abstract expressionism: the soft tones of color field painting and the dramatic gestures of action painting. The black shape at the bottom of this image reflects the artist’s movement as he applied paint in one wide, twisting brushstroke. In contrast, the shades of blue above blend softly from light to dark, as if he used slower, more careful brushstrokes. Gottlieb played with opposites, painting pairs of shapes that evoke dualities such as night and day, sun and earth, and male and female (Alloway and MacNaughton, Adolph Gottlieb: A Retrospective, 1981).
Throwback Thursday: “That’s not art,” declared former President Theodore Roosevelt.
In 1913, “The International Exhibition of Modern Art” opened at New York City’s 69th Regiment Armory. Including over 1,300 works of art by over 300 international artists, the exhibition was the first introduction to avant-garde art for many Americans. The show was met with cheers, jeers, guffaws, and even accusations of insanity. The Philadelphia Museum of Art is the proud home of many of these once outrageous works of art, though there is still the occasional echo of Theo’s lament 101 years later.
"The Armory Show," as it is called today, was revived in 1994, and the now annual exhibition opens today in New York City.
”Nude Descending a Staircase (No. 2),” 1912, Marcel Duchamp, © Artists Rights Society (ARS), New York / ADAGP, Paris / Estate of Marcel Duchamp